Gilbert Adair's novel is set in Paris in the spring of 1968. The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.
Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.
The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.
Jack Kerouac immortalized her in his novel Big Sur. A student of Zen, she hung out with Gary Snyder and Allen Ginsberg and was a speaker at San Francisco’s Human Be-In. But Lenore Kandel was no muse or hanger-on; she was a brilliant lyric poet, often unabashedly erotic, and that’s where her legacy lies.
Collected Poems of Lenore Kandel contains 80 examples of her art, from the “holy erotica” of her early years to later, more contemplative works. Many of the poems have never been published, others only in rare ephemeral publications. Some are explicit, celebrating carnal love as part of the divine. Others are humorous and cover more quotidian subjects. A recurring theme is the “divine animal” duality. The collection includes poems written from the early fifties up until Kandel’s death.
The paradox of Lenore Kandel is that despite her prodigious talent, she was one of the least read and critically appreciated of modern poets. Kandel found her voice at a time when the Beat era was giving way to the countercultural age, and though she straddled both eras, it meant that she also fell through the cracks in terms of recognition. Now for the first time the full range of her work appears in one volume.
"The Collected Poems of Bob Kaufman is the most comprehensive selection of his verse to date, a volume that contains a lot of previously uncollected work. … this book makes a case for him as a perceptive and eccentric American original, a man who seems to have fallen out of the sky like a meteor."— The New York Times "The body of work is small but voluminous in intensity, spirit and soul, with a lineage that runs from Charles Baudelaire to Charles Mingus. Kaufman—with his commitment to the art, his surreal eye on the urban experience and beyond it, and his jazz timing—brings San Francisco to life."— San Francisco Chronicle "Twentieth-century American poetry cannot be fully comprehended without Bob Kaufman. City Lights and the editors do a grand service to literature by publishing Kaufman's poetry in one collection. … This is a necessary gift for poets and poetry readers."— Booklist "Not many collected works deserve sustained place in the hands of readers and on the shelves of bookstore poetry sections. This is one of them."— Publishers Weekly “He was an original voice. No one else talked like him. No one else wrote poetry like him.”— Lawrence Ferlinghetti Bob Kaufman (1925–1986) was one of the most important—and most original—poets of the twentieth century. He is among the inaugurators of what today is characterized as the Afro-Surreal, uniting the surrealist practice of automatic writing with the jazz concept of spontaneous composition. He seldom wrote his poems down and often discarded those he did, leaving them to be rescued by others. He was also a legendary figure of the Beat Generation, known as much for hopping on tables to declaim his poetry as for maintaining a monastic silence for months or even years at a time. Kaufman produced just three broadsides and three books in his lifetime.
Published two weeks after his seventieth birthday, Ada, or Ardor is one of Nabokov's greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest. But more: it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the superb work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom.